“Turning Point” refers to both a transition in time and a site of experimentation in space. The development and challenges of Chinese art residencies unfold precisely at this turning point. In 1978, China embarked on its reform and opening-up, ushering in an era of unprecedented freedom and innovation opportunities for contemporary Chinese art within the context of socio-economic transformation. Artists began to break free from traditional constraints, pursuing individual expression and intellectual freedom. As a new artistic ecosystem, art residencies began to take root and flourish within China’s artistic landscape.
The development of Chinese art residencies has followed a unique path, advancing in parallel in both urban and rural areas, leading to a vibrant and diverse art ecosystem. However, challenges such as insufficient funding and the sustainability of projects have long been a concern for art residencies practices. Moreover, ensuring that artistic works genuinely reflect local culture, rather than becoming mere exports of external cultural influences, remains a pressing issue for residency institutions. In the context of globalization, Chinese art residencies face challenges related to localization and methodological dilemmas. Residency institutions and projects must continue to focus on the depth of artistic expression. At the same time, they need to address the complex relationship between art, society, culture, and economy, as well as art’s impact on social progress and cultural heritage.